Elements 56: Barium
The yellow-colored layer was used to simulate a kind of Brownian motion bass register, in which many possibilities can be heard simultaneously. Going far beyond the 1950’s and 60’s deterministic avant-garde experiments by Xenakis, this is a true music of possibilities and probabilities, especially in the sense that it plays with the probability an attentive listener will hear or not hear certain phenomena.
One of the phenomena one can possibly hear is a very fast tempo driving the music in an almost free-jazz forward motion, not arising from bass progressions nor percussive sounds, but from the structured chaos of the interacting registers, which are polyphonically tied together. All in all the music of Barium yields an extremely intense listening experience. Despite the space it also offers, the listener can be overwhelmed by the stream of sound. As to the space one hears enveloping the sound: in the production of this work no added reverb at all was used, space was created with polyphonic and micro-canonic means.